One of the earliest and most influential exhibitions was Max Dupain’s “Sunbaker” (1937). Dupain, an iconic Australian photographer, captured an image that has become emblematic of Australian identity. The photograph depicts a man lying on a beach, his back to the camera, basking in the sunlight. The simplicity and strength of “Sunbaker” not only showcase Dupain’s technical prowess but also encapsulate the Australian affinity with the sun and the outdoors. The image has become an enduring symbol of the nation’s laid-back lifestyle and connection to its vast landscapes.
Moving into the 1970s, the “New Topographics: Photographs of a Man-Altered Landscape” exhibition, though not exclusive to Australia, profoundly influenced the way the nation’s photographers approached their craft. The exhibition, which featured works by Australian photographers such as Lewis Baltz, highlighted the impact of human activity on the environment. This shift in focus prompted Australian photographers to critically examine their relationship with the land, foreshadowing the environmental consciousness that would later define much of the country’s artistic output.
During the 1980s, the “Living in the 70s” exhibition curated by Jenni Mather and Graham Howe provided a vivid snapshot of Australian life during the tumultuous 1970s. Through the lens of various photographers, the exhibition documented the social, political, and cultural changes of the era. The photographs depicted protests, suburban life, and the evolving urban landscape, offering a nuanced perspective on the complexities of Australian society. “Living in the 70s” not only reflected the zeitgeist of the time but also contributed to a growing awareness of the power of photography in documenting social history.
The emergence of Indigenous voices in Australian photography is exemplified by the groundbreaking exhibition “Landscape and Language” (1991). Curated by Brenda L. Croft, this exhibition showcased the works of contemporary Indigenous photographers, challenging traditional representations of Australia’s landscapes. By incorporating Indigenous perspectives, “Landscape and Language” marked a pivotal moment in Australian photography, acknowledging and amplifying the voices of the country’s First Nations people.
In the 21st century, the advent of digital technology transformed the medium, leading to new forms of expression. The “Click: Photography Changes Everything” exhibition (2015) at the National Museum of Australia explored the transformative power of photography in shaping public perception. While not solely focused on Australian photographers, the exhibition prompted a reflection on the impact of the digital age on the nation’s visual culture.
In recent years, the “Common Ground” exhibition (2019) curated by Australian photographer and curator Artshub, showcased the works of contemporary photographers addressing issues of identity, diversity, and inclusivity. Through a diverse range of photographic styles and subjects, “Common Ground” demonstrated the evolving nature of Australian society and the importance of representation in visual storytelling.
In conclusion, Australia’s photography exhibitions have evolved alongside the nation itself, capturing its essence, challenges, and triumphs. From the iconic images of Max Dupain to the contemporary narratives of “Common Ground,” these exhibitions collectively define Australia through the lens of its photographers. Through their art, these photographers have contributed to the ongoing dialogue surrounding Australian identity, culture, and the ever-changing landscape.
